• About
  • What is PALA?
  • How to join
  • News
  • PALA Committee
  • PALA Constitution (pdf)
  • Language & Literature
  • PARLANCE
  • Ambassadors
  • PALA France
  • Roger Fowler Fund
  • Mary Ellen Ryder Fund
  • Publicity guidelines
• Annual Conference
  • PALA Conferences
  • Guidelines for organising
  • Student bursaries
  • The Longman Prize
• Resources
  • PALA Papers
  • Proceedings
  • Special interest groups
  • Occasional papers
  • Bibliography
• Links
  • Genoa 2010
  • Language & Literature
  • PALA Papers
  • Language & Style

PALA 2008 Proceedings online

Free online access to the Proceedings of PALA 2008.

How to cite these papers

These papers are published by PALA and may be cited in other publications. Please cite the source as Online Proceedings of the Annual Conference of the Poetics and Linguistics Association (PALA) and cite the full URL of the PDF file, e.g.:

Alexander, Marc. 2008. 'The Lobster and the Maid: Scenario-dependence and reader manipulation in Agatha Christie'. Online Proceedings of the Annual Conference of the Poetics and Linguistics Association (PALA). [http://www.pala.ac.uk/resources/proceedings/2008/alexander2008.pdf]

Citations will of course have to be adjusted to the relevant house style. PALA will ensure that the URLs for these papers remain persistent.

• [PDF] Alexander, Marc, The Lobster and the Maid: Scenario-dependence and reader manipulation in Agatha Christie
• [PDF] Asaka, Kanako, Free Indirect Discourse and the Personal Pronoun 'one' in To the Lighthouse
• [PDF] Bragina, Catherine, Language and Style in Douglas Adams’s Writings
• [PDF] Canning, Patricia, ‘The Bodie and the Letters Both’: Blending the Rules of Early Modern Religion
• [PDF] Caruana, Rose Maria Twists and Turns in Text and Translation
• [PDF] Domínguez Romero, Elena and Calvo Cortés, Nuria, Is it the editors’ taste or the word’s life?
• [PDF] Fagel, Suzanne, Structure versus style: the disappearance of stylistics in the Netherlands 1940-1970
• [PDF] Fontaine, Jeannine, Literary Metaphor: Salience, Form and Function in a Contemporary Author’s Prose Writing
• [PDF] Hallen, Cynthia L., How to Kill Time: Emily Dickinson and Comparative Indo-European Poetics
• [PDF] Imahayashi, Osamu, The Dickens Lexicon Project: A Preliminary Report
• [PDF] Krishnamurthy, Sarala, Representation of time: A Stylistic Analysis of Real and Surreal Elements in Joseph Heller'sCatch 22
• [PDF] van Leeuwen, Maarten, The style of political speeches: problems in existing methods
• [PDF] Lennon, Nicola, “War is Over! If you want it”: Using Intertemporal Choice Theory to Monitor Change in the Political Discourse of Northern Ireland
• [PDF] León, Élida, Constructing a Hero: stylistic features of main characters Charlie Bucket and Harry Potter
• [PDF] Moss, Lesley, Counting Complexity: Syntactic change in the style of Henry James
• [PDF] Nemesio, Aldo, Levorato, M. Chiara and Ronconi, Lucia, The Time of Reading: the first perception of characters in narrative texts
• [PDF] Nosé, Takuji, Speech System of the Stage Manager in Thornton Wilder’s Pullman Car Hiawatha
• [PDF] Teranishi, Masayuki, The modes of polyphony in George Eliot’s novels
• [PDF] Thoms, Gary, When sentences are not sentences: evidence against poetic grammar
• [PDF] Tomita, Saoko, Rhetorical Expressions by Simile in David Copperfield
• [PDF] Toolan, Michael, Audiofiction: no time for deep thoughts and feelings?
• [PDF] Virdis, Daniela Francesca, Time and the Text of Sex and the City: The Last Conversation among the Four Female Characters in the American TV Series
• [PDF] Zerkovic, Judit, Directions in Blake’s Ah! Sun-flower and Ginsberg’s Sunflower Sutra
• [PDF] Zurru, Elisabetta, Time is the difference between us and the Indians': Walcott's Catherine

Hosted by Oxford University Computing Services. Copyright (c) 2009 PALA