PALA 2015 Proceedings online
Proceedings of PALA 2015, which was held at the University of Kent, UK.
- Salvador Alarcón-Hermosilla (Universidad de Almeria, Spain). Profiling and Windows of Attention in John McGahern's The Dark.
- Giuseppina Balossi (Lancaster University, UK). A computer-aided approach to I and the World in Conrad’s The Shadow Line.
- Kristin Berberich and Nina Dumrukcic (University of Heidelberg, Germany). A multimodal analysis of burying strategies used for plot-construction purposes in BBC’s Sherlock.
- Jonathan Fitchett (university of Kent, UK). Talking the talk by walking the walk: towards a new language of playwriting through devised performance.
- Saoko Funada (Beppu University, Japan). A Stylistic Approach to Animal Metaphors in Charles Dickens’s Novels: With Special Reference to the First-Person Narrative Perspectives
- Iris Gemeinböck (University of Vienna, Austria). Containing chaos: compiling a corpus of eighteenth century prose fiction
- He Huang (Tsinghua University, China). Discourse structure in James Joyce’s “Penelope”.
- Yanwei Hu (Peking University, China). Pragmatics of the ‘Social Man’ in Talk Exchanges
- Mahmood Kadir Ibrahim (University of Huddersfield, UK). Conceptual metaphors and Ideology in Sherko Bekas’s Halabja and Richard Aldington’s Living Sepulchres.
- Tamara Vladimirovna Khvesko (Tyuman State University, Russia). High School Students Education in Russia.
- Sean Murphy (University of Barcelona, Spain). Am I politic? (Im)politeness in Shakespeare’s soliloquies.
- Masayuki Nakao (Tottori University, Japan). Representation of consciousness in first-person autobiographical novels A case study: Dickens’ Great Expectations and Thackeray’s Henry Esmond.
- Keiji Nishioka (Okayama University of Science, Japan). Noun Phrase Types and Their Distribution in Francis Bacon’s Essays.
- Ilse A. Ras (University of Leeds, UK). ‘The Alleged Fraud’: Modality in a Corpus of Corporate Fraud News.
- Eri Shigematsu (Hiroshima University, Japan). Directness of indirect representation of consciousness.
- Aishat Umar (Bayero University, Kano, Nigeria). Exploring Creativity in Narrative Fiction: A Stylistic Analysis of Characterisation in Abubakar Gimba’s Witnesses to Tears.
- Sophie Nanna Zheng (Yonsei University, South Korea). The Functions of Normal Non-fluency in Ibsen, Strindberg and Chekhov.
How to cite these papers
These papers are published by PALA and may be cited in other publications. Please cite the source as Online Proceedings of the Annual Conference of the Poetics and Linguistics Association (PALA) and cite the full URL of the PDF file, e.g.:
These papers are published by PALA and may be cited in other publications. Please cite the source as Online Proceedings of the Annual Conference of the Poetics and Linguistics Association (PALA) and cite the full URL of the PDF file, e.g.:
Krishnamurthy, Sarala. 2011. 'Cognitive Stylistics and Petit Recit: An examination of the narrative consciousness in The God of Small Things'.On-line Proceedings of the Annual Conference of the Poetics and Linguistics Association (PALA).[http://www.pala.ac.uk/Annual conferences/proceedings/2011/krishnamurthy2011.pdf]
Citations will of course have to be adjusted to the relevant house style.
PALA will try to ensure that the URLs for these papers remain persistent.
Copyright for all papers remains with the authors.
PALA will try to ensure that the URLs for these papers remain persistent.
Copyright for all papers remains with the authors.